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Issue
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Author
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Affiliation
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Title of the article
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Link to the article
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1/2023 (Vol. XXXVIII, Iss. 1)
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1. Joan Grimalt
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Escola Superior de Música de Catalunya
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Beethoven’s Sonata “Appassionata” op. 57: An Interpreter’s Analysis
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https://musicologypapers.edituramediamusica.ro/index.php/en/issues/vol-xxxviii-no-1-2023/452-joan-grimalt-beethoven-s-sonata-appassionata-op-57-an-interpreter-s-analysis
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2. Fanni Molnár
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Budapest Music Centre & Liszt Ferenc Academy of Music
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"An die nahe Geliebte": The Model of Béla Bartók’s Youthful Song Cycle
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https://musicologypapers.edituramediamusica.ro/index.php/en/issues/vol-xxxviii-no-1-2023/453-fanni-molnar-an-die-nahe-geliebte-the-model-of-bela-bartok-s-youthful-song-cycle
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3. Constantin-Tufan Stan
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Centre for Interdisciplinary Studies “Silviu Dragomir” Oradea
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Tudor Jarda’s Works on the Operatic and Concert Stages of Banat
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https://musicologypapers.edituramediamusica.ro/index.php/en/issues/vol-xxxviii-no-1-2023/454-constantin-tufan-stan-tudor-jarda-s-works-on-the-operatic-and-concert-stages-of-banat
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4. Christophe Alvarez
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The “Gheorghe Dima” National Academy of Music
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Research Academy on “Munich” Mozart Piano Sonatas – Orpheus Institute – 3-13.07.2023: Report and Questionings about the Practice of Ornamenting and Improvising on Early Keyboards as a 21st Century Pianist
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https://musicologypapers.edituramediamusica.ro/index.php/en/issues/vol-xxxviii-no-1-2023/455-christophe-alvarez-research-academy-on-munich-mozart-piano-sonatas-orpheus-institute-3-13-07-2023-report-and-questionings-about-the-practice-of-ornamenting-and-improvising-on-early-keyboards-as-a-21st-century-pianist
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5. Sabina Constantin
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The “Gheorghe Dima” National Academy of Music
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Shostakovich’s First Film Score: Politics and Symphonism |
https://musicologypapers.edituramediamusica.ro/index.php/en/issues/vol-xxxviii-no-1-2023/456-sabina-constantin-shostakovich-s-first-film-score-politics-and-symphonism
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2/2023 (Vol. XXXVIII, Iss. 2)
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1. Sára Aksza Grosz
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Institute of Musicology Budapest
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“Imiter est d’un sot.” The Symphonies of Bizet |
https://musicologypapers.edituramediamusica.ro/index.php/en/issues/volume-xxxviii-issue-2-2023/462-sara-aksza-grosz-imiter-est-d-un-sot-the-symphonies-of-bizet
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2. Beáta Simény
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Institute of Musicology Budapest
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Continuity or Incompatibility? A Comparative Study Between Sámuel Brassai’s and István Angi’s Theory of Aesthetics |
https://musicologypapers.edituramediamusica.ro/index.php/en/issues/volume-xxxviii-issue-2-2023/463-beata-simeny-continuity-or-incompatibility-a-comparative-study-between-samuel-brassai-s-and-istvan-angi-s-theory-of-aesthetics
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3. Elena Boancă
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The “Gheorghe Dima” National Academy of Music
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Evocation as Creative Attitude. Romanian Composer Vasile Herman |
https://musicologypapers.edituramediamusica.ro/index.php/en/issues/volume-xxxviii-issue-2-2023/464-elena-boanca-evocation-as-creative-attitude-romanian-composer-vasile-herman
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4. Tatiana Oltean
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The “Gheorghe Dima” National Academy of Music
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The Practice of “Salto” (Cuts) in Opera Performance: From Tradition to Practicality or vice versa? |
https://musicologypapers.edituramediamusica.ro/index.php/en/issues/volume-xxxviii-issue-2-2023/465-tatiana-oltean-the-practice-of-salto-cuts-in-opera-performance-from-tradition-to-practicality-or-vice-versa
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5. Francisca-Loredana Paidac
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West University Timişoara, Faculty of Music and Theatre
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The Symbiosis Between Sound and Word in Composer Sabin Păutza’s Cycle of Songs Un strop de lumină… [A Drop of Light...] |
https://musicologypapers.edituramediamusica.ro/index.php/en/issues/volume-xxxviii-issue-2-2023/466-francisca-loredana-paidac-the-symbiosis-between-sound-and-word-in-composer-sabin-pautza-s-cycle-of-songs-un-strop-de-lumina-a-drop-of-light
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1/2024 (Vol. XXXIX, Iss. 1)
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1. Małgorzata Grajter
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University of Łódź, Faculty of Philology
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From Transcription to Musical Topic: ‘Wordless Song’ in the Piano Works of Ludwig van Beethoven and Early Romantics |
https://musicologypapers.edituramediamusica.ro/index.php/en/issues/volume-xxxix-issue-1-2024/467-malgorzata-grajter-from-transcription-to-musical-topic-wordless-song-in-the-piano-works-of-ludwig-van-beethoven-and-early-romantics
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2. Gesine Schröder
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University of Music and Theatre “Felix Mendelssohn Barthold” Leipzig
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Erinnerungen an Meyerbeer by Oscar Fetrás. On Three Opera Fantasies for Salon Orchestra |
https://musicologypapers.edituramediamusica.ro/index.php/en/issues/volume-xxxix-issue-1-2024/468-gesine-schroeder-erinnerungen-an-meyerbeer-by-oscar-fetras-on-three-opera-fantasies-for-salon-orchestra
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3. Irina Niţu
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“George Enescu” National Museum Bucharest
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George Enescu and the Marsick Family of Musicians |
https://musicologypapers.edituramediamusica.ro/index.php/en/issues/volume-xxxix-issue-1-2024/469-irina-nitu-george-enescu-and-the-marsick-family-of-musicians
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4. Elena-Maria Şorban
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The “Gheorghe Dima” National Academy of Music
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Franz Schubert, Ellens Gesang III (Ave Maria) as a Readymade |
https://musicologypapers.edituramediamusica.ro/index.php/en/issues/volume-xxxix-issue-1-2024/470-elena-maria-sorban-franz-schubert-ellens-gesang-iii-ave-maria-as-a-readymade
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5. Klára Ocskay
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Sapientia University of Cluj-Napoca, “Sigismund Toduță” Music College in Cluj-Napoca
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Péter Eötvös — Valuska |
https://musicologypapers.edituramediamusica.ro/index.php/en/issues/volume-xxxix-issue-1-2024/471-klara-ocskay-peter-eoetvoes-valuska
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2/2024 (Vol. XXXIX, Iss. 2)
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1. Sharon Hui Shan How
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University of Houston
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The Interplay of Coincidence and Intention in Brahms’s Piano Quartet no. 1 in G minor, op. 25, Third Movement |
https://musicologypapers.edituramediamusica.ro/index.php/en/issues/volume-xxxxix-issue-2-2024/479-sharon-hui-shan-how-the-interplay-of-coincidence-and-intention-in-brahms-s-piano-quartet-no-1-in-g-minor-op-25-third-movement
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2. Cătălin Cernătescu
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National University of Music in Bucharest
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The Alphabetic Notation and the Anthologion of Petros Manouil Ephesios |
https://musicologypapers.edituramediamusica.ro/index.php/en/issues/volume-xxxxix-issue-2-2024/480-catalin-cernatescu-the-alphabetic-notation-and-the-anthologion-of-petros-manouil-ephesios
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3. Gabriel Mălăncioiu
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West University Timişoara, Faculty of Music and Theatre
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Aspects of Numerical Symbolism in the 8th Movement, Nacht, from Arnold Schoenberg’s Pierrot lunaire |
https://musicologypapers.edituramediamusica.ro/index.php/en/issues/volume-xxxxix-issue-2-2024/481-gabriel-malancioiu-aspects-of-numerical-symbolism-in-the-8th-movement-nacht-from-arnold-schoenberg-s-pierrot-lunaire
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4. Camelia-Anca Sârbu
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“George Enescu” National Museum Bucharest
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Liviu Dănceanu – Quasi-Concerto Op. 12. Analytical Perspectives |
https://musicologypapers.edituramediamusica.ro/index.php/en/issues/volume-xxxxix-issue-2-2024/482-camelia-anca-sarbu-liviu-danceanu-quasi-concerto-op-12-analytical-perspectives
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5. Roxana Seraz
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The “Gheorghe Dima” National Academy of Music
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Phantasmagoria and Nonsense. The Poetics of Christian Morgenstern in Dora Cojocaru’s Music |
https://musicologypapers.edituramediamusica.ro/index.php/en/issues/volume-xxxxix-issue-2-2024/483-roxana-seraz-phantasmagoria-and-nonsense-the-poetics-of-christian-morgenstern-in-dora-cojocaru-s-music
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